OFFICIAL Nicky Deuce Fanclub
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Phantom of the Paradise (1974) is a true masterpiece of a film, combining classic horror, a great cult following, a stellar cast & soundtrack, with a massive cult following. Winnipeg plays this every year for a reason. Great singing voices by Paul Williams and Jessica Harper, being a big inspiration for Daft Punk, who have reportedly watched it over 20 times in theaters. William Finley is perfect in his role, as the role was written for him, being friends with the director Brian De Palma, who is one of the best directors of all time, directing Scarface, Carrie, Blow Out, the Untouchables, etc. Not to mention it has nods to The Cabinet of Dr. Caligari, Frankenstein, The Cask of Amontillado, the Picture of Dorian Gray, Faust, and most importantly, the Phantom of the Opera. 12 years before Andrew Lloyd Webber's musical, this movie, which is not only the first musical to come out of Gaston Leoroux's original novel, but probably the best interpretation of the source material, given it being very loose and mashed with many best sellers of a time once before.
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Haha you went on my profile cuz ur mad didn't you!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
"Phantom rules! It remains as fresh and spectacular as ever. Andrew Lloyd Webber's score has a visceral tug more than almost any score written in the past 20 years. Beautiful and romantic, I have to tip my hat: The Phantom of the Opera has aged divinely."

Review by Roma Torre from NY1

"Phantom still delivers the goods! Judging by sheer invention, emotional punch and onstage talent, the venerable blockbuster still beats out almost all of the shippersnappers currently on Broadway. Maria Bjornson's flamboyant gothic design and Harold Prince's fantastical staging still have the gleam of finely polished professionalism."

Review by Jason Zinoman from The New York Times

"Phantom is still wonderful and isn't showing its age one bit! The chandelier still falls on cue and the show still rises to the top of all the musicals ever to appear on Broadway. I hope I listen to the music of the night forever!"

Review by David Richardson from WOR Radio

"It may be possible to have a terrible time at The Phantom of the Opera, but you'll have to work at it. Only a terminal prig would let the avalanche of pre-opening publicity poison his enjoyment of this show, which usually wants nothing more than to shower the audience with fantasy and fun, and which often succeeds, at any price. The physical production, Andrew Bridge's velvety lighting included, is a tour de force throughout–as extravagant of imagination as of budget."

Review by Frank Rich from The New York Times
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